传统戏曲,traditional opera
1)traditional opera传统戏曲
1.Inclusion And Interdependence of Fictitiousness And Actuality——A brief account on the "fictitiousness" aesthetic characteristics of thetraditional opera;含虚蓄实,虚实相生——略论传统戏曲的“虚拟性”审美特征
2.Chinesetraditional opera has experienced several big changes in the 20~(th)century, which deeply reflected west- ern culture s influence and shock towards Chinese traditional culture and Chinese intellectual s criticism, reform, reflection towardstraditional opera.20世纪,中国传统戏曲经历了几次比较大的戏改运动,深刻反映出西方强势文化对中国传统丈化的影响和冲击,以及中国知识分子对于传统戏曲的批判、改造、反思,并由此探求作为传统文化象征的戏曲在中国知识分子心中既敬畏其内蕴深厚、博大精深又不满其故步自封、缺乏创新的复杂情结。
3.About the social educational functions of thetraditional opera,our seniors all gave a positive opinion,but when we examined relevant views carefully,it is limited to principled conclusion,neither did it elaborated the specific content,nor did it touch the operating mechanism of the social educational functions of thetraditional opera.关于传统戏曲的社会教化功能,前人大都给予肯定,不过细察前人与时人的有关论述,却仅限于"药人寿世"、"助成教化"等原则性结论,不仅在具体内容上语焉不详,而且对戏曲社会教化功能发挥的内在机制更是缺乏系统研究。
英文短句/例句
1.Cartoons of Drama Creatively Changing Traditional Drama Art论戏曲动画片对传统戏曲艺术的创造性转换
2.Discourse in the Model Operas, its Inheritance and Deviation from the Ancient Chinese Opera;“样板戏”话语对传统戏曲话语的传承与偏离
3.Domestication and Foreignization of Shakespeare s Drama in Chinese Traditional Opera-Two Adapted Versions of Hamlet in Peking Opera and Shaoxing Opera;莎剧在中国传统戏曲中的归化与异化
4.A Probe into the Operating Mechanism of the Social Educational Functions of the Traditional Opera;传统戏曲社会教化功能作用机理探微
5.Pre-Modern Reformation of the Stage Practice in Chinese Traditional Theatre论中国传统戏曲舞台实践的近代变革
6.Impact of the Traditional Theatre on Spoken Drama中国传统戏曲对话剧舞台艺术的影响
7.The Breakthrough of the Traditional Ideas of Dramatic Criticism by L(u|¨) Tiancheng’s“Qupin”;试论吕天成《曲品》对传统戏曲批评观念的突破
8.Return of Tradition;回归传统——论中国当代先锋戏剧对中国传统戏曲的借鉴陈吉德
9.Sign Without Soul:Loss of Traditional Chinese Opera from the Perspective of Shaoxing Opera;没有灵魂的符号:“诗落”的中国传统戏曲——以越剧为话题的戏曲诗学观
10.The Effect of the Spread of New Media on Chinese Traditional opera新媒体传播对中国传统戏曲艺术的影响
11.Modern Chinese Intellectual s Complex Feelings towards Traditional Opera;中国现代知识分子对于传统戏曲的复杂情结
12.An Analysis of Stage Space in Chinese Opera from Space Perception Theory;从空间感知理论谈中国传统戏曲舞台空间
13.The Performance of Elements of Chinese Traditional Opera in the Oil Painting论中国传统戏曲元素在油画中的可表现性
14.A Comparison of Discrepancy between Traditional Opera and Modern Culture Industry Development论传统戏曲与当代文化产业发展的差异性
15.Insight into Chinese Drama"s Poetic Imagery in Artistic Beauty从艺术美的角度看中国传统戏曲的写意性
16.Kun Opera and Nohgaku-On the Stage Structure and Performing Form of Sino-Japanese Traditional Opera;昆曲与“能”——试论中日传统戏曲的舞台结构与表演形态
17.On the Precious Materials of Folk Operas:A Review of the Traditional Theatrical Piece of Siping Opera研究民间戏曲的珍贵资料——《四平戏传统剧目》述评
18.The Effects of Traditional Martial Arts Repertoire on the Fighting Formation in Drama;传统武术套路对戏曲武打形成的影响
相关短句/例句
traditional drama传统戏曲
1.This paper is to study the transformation of thetraditional drama in the early stage of China from the angle of content integration and ideology interpretations and explain the original force of the transformation and the value trend in the development oftraditional drama .本文从内容整合和意识形态阐释的角度出发,研究建国初期旧剧改革对传统戏曲进行改编的过程,阐发旧剧改革的原动力和在传统戏曲发展过程中的价值指归。
3)traditional operas传统戏曲
1.The new historical opera luoshen Fu succeeds in embodying Mei Lanfang s styles of novelty,beauty,magnificence and elegance by combining the expression technique of implicitness and explicitness intraditional operas with that of modern stagecraft.中国传统戏曲的魅力与戏曲艺术表现手法上虚和实的辩证统一 ,及其所创造的耐人寻味、令人神往的艺术境界是不无关系的。
4)The substance of traditional chinese opera传统戏曲本质
5)ancient opera discourse传统戏曲话语
6)Traditional opera morpheme传统戏曲语素
延伸阅读
《北京传统曲艺总录》北京传统曲艺作品名目集。傅惜华编，1962年出版。本书著录了清代初叶至中华人民共和国成立前在北京地区流行的各种传统曲艺作品名目4000余种，分为16卷。其中，八角鼓类包括岔曲3卷、牌子曲（单弦）1卷、快书（联珠调）1卷,共为5卷;石派书1卷;鼓词小段1卷;莲花落1卷;时调小曲类包括马头调3卷、西调1卷、66种有调名的时调小曲3卷、缺失调名的杂曲1卷,共为8卷。另外，清代北京流行的子弟书作品，编者另有《子弟书总目》一书单行出版，不包括在本书之内。本书在编纂时据以著录的清代以来的曲艺总集、选集，包括刻本《霓裳续谱》、《白雪遗音》等20种，钞本《万花小曲》、《百万句全》等27种；同时还引用了北京以发卖戏曲曲艺单行钞本为业的百本堂、别埜堂两家书铺的钞本曲艺目录11种、未署编者的曲艺目录 1种，顾颉刚编《蒙古车王府曲本分类目录》1种,刘复、李家瑞编《中国俗曲总目稿》1种,《通俗读物编刊社书目提要》1种。除以上有版本可据的曲目外,还著录了少量曾在北京曲艺场所演唱过的、流传在艺人口头的曲艺作品名目。每一曲目，都著录了曲名、版本源流、公私收藏处所，并简单介绍了曲目内容、题材来源。少数有作者姓名可考的也作了著录。
